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Battlestar Galactica
Battlestar Galactica is a franchise of science fiction television series and films. The franchise started with a 1978 TV show created by Glen A. Larson, followed by a sequel TV series, a line of book adaptations, original novels, comic books and video games. A reimagined miniseries developed by Ronald D. Moore and David Eick aired in 2003, continuing with a regular television series aired from 2004 to 2009 and a prequel series to be aired in 2010.
All of the Battlestar Galactica productions share the same premise: In a distant part of the universe, a civilization of humans lives on a series of planets known as the Twelve Colonies. In the past, the Colonies have been at war with a cybernetic race known as the Cylons. With the help of a human traitor named Baltar, the Cylons launch a sudden ambush on the Colonies, laying waste to the planets and devastating their populations. The human survivors flee into space aboard any spacecraft they can reach. Of all the Colonial Fleet, the Battlestar Galactica appears to be the only military capital ship that survived the attack. Under the leadership of famed military leader Commander Adama, the Battlestar Galactica and its crew take up the task of leading the small fugitive fleet of survivors into space in search of a fabled refuge known as Earth.
All of the Battlestar Galactica productions share the same premise: In a distant part of the universe, a civilization of humans lives on a series of planets known as the Twelve Colonies. In the past, the Colonies have been at war with a cybernetic race known as the Cylons. With the help of a human traitor named Baltar, the Cylons launch a sudden ambush on the Colonies, laying waste to the planets and devastating their populations. The human survivors flee into space aboard any spacecraft they can reach. Of all the Colonial Fleet, the Battlestar Galactica appears to be the only military capital ship that survived the attack. Under the leadership of famed military leader Commander Adama, the Battlestar Galactica and its crew take up the task of leading the small fugitive fleet of survivors into space in search of a fabled refuge known as Earth.
The Twilight Saga: New Moon
The Twilight Saga: New Moon is a 2009 American romantic fantasy film based on Stephenie Meyer's 2006 novel New Moon. It is the second film in The Twilight Saga film series and is the sequel to 2008's Twilight, which is also based on Meyer's previous novel. Summit Entertainment greenlit the sequel in late November 2008, following the early success of Twilight. Directed by Chris Weitz, the film stars Kristen Stewart, Robert Pattinson, and Taylor Lautner, reprising their roles as Bella Swan, Edward Cullen, and Jacob Black, respectively.
Melissa Rosenberg, who handed in a draft of the film script during the opening weekend of Twilight, returned as screenwriter for The Twilight Saga: New Moon. Filming began in Vancouver in late March 2009, and in Montepulciano, Italy in late May 2009.
The Twilight Saga: New Moon was released on November 20, 2009 in most countries, and set domestic box office records as the biggest midnight screening with $26.3 million. This led to the biggest single day domestic gross with $72.7 million. The film also opened with the third biggest domestic opening weekend ($142,839,137). The film was voted as the "Favorite Movie of 2009" on Moviefone and was was well received by fans,] but critical reception was mixed.
Melissa Rosenberg, who handed in a draft of the film script during the opening weekend of Twilight, returned as screenwriter for The Twilight Saga: New Moon. Filming began in Vancouver in late March 2009, and in Montepulciano, Italy in late May 2009.
The Twilight Saga: New Moon was released on November 20, 2009 in most countries, and set domestic box office records as the biggest midnight screening with $26.3 million. This led to the biggest single day domestic gross with $72.7 million. The film also opened with the third biggest domestic opening weekend ($142,839,137). The film was voted as the "Favorite Movie of 2009" on Moviefone and was was well received by fans,] but critical reception was mixed.
The Incredible Hulk
The Incredible Hulk is a 2008 superhero film based on the Marvel Comics character the Hulk. It is directed by Louis Leterrier and stars Edward Norton as Dr. Bruce Banner/the Hulk. It is not a sequel to Hulk (2003), but rather a reboot that establishes a new back-story where Banner became the Hulk as an unwitting pawn in a military scheme to reinvigorate the supersoldier program through gamma radiation. On the run, he attempts to cure himself of the Hulk before he is captured by General Thaddeus "Thunderbolt" Ross (William Hurt), but his worst fears are realized when power-hungry soldier Emil Blonsky (Tim Roth) becomes the Abomination. Liv Tyler also stars as Betty Ross, Banner's girlfriend and General Ross's daughter.
Marvel Studios reacquired the rights to the character after the mixed reception to Hulk, and writer Zak Penn began work on a loose sequel that would be much closer to the comics and the television series. Norton rewrote the script after he signed on to star, which clarified the film's new back-story. Leterrier aimed to make the film realistic, giving a more frightening direction for the look of the monsters, while redesigning the Abomination from the comics' reptilian humanoid into a mutated monster with bony protrusions. Filming mostly took place in Toronto, Canada in 2007, where the production attempted to be environmentally friendly.
The film outgrossed its predecessor and received generally positive reviews. Despite this positive reception Marvel chose to put off a possible sequel until after 2012's The Avengers. As of April 6, 2009, the film has grossed $263,427,551 in worldwide box office and it made $85,755,879 in home video sales, bringing its total film gross to $349,183,430.
Marvel Studios reacquired the rights to the character after the mixed reception to Hulk, and writer Zak Penn began work on a loose sequel that would be much closer to the comics and the television series. Norton rewrote the script after he signed on to star, which clarified the film's new back-story. Leterrier aimed to make the film realistic, giving a more frightening direction for the look of the monsters, while redesigning the Abomination from the comics' reptilian humanoid into a mutated monster with bony protrusions. Filming mostly took place in Toronto, Canada in 2007, where the production attempted to be environmentally friendly.
The film outgrossed its predecessor and received generally positive reviews. Despite this positive reception Marvel chose to put off a possible sequel until after 2012's The Avengers. As of April 6, 2009, the film has grossed $263,427,551 in worldwide box office and it made $85,755,879 in home video sales, bringing its total film gross to $349,183,430.
The Lion King (Musical)
The Lion King is a musical based on the 1994 Disney animated film of the same name with music by Elton John and lyrics by Tim Rice along with the musical score created by Hans Zimmer with choral arrangements by Lebo M. Directed by Julie Taymor, the musical features actors in animal costumes as well as giant, hollow puppets. The show is produced by Disney Theatrical.
The musical debuted July 8, 1997, in Minneapolis, Minnesota at the Orpheum Theatre, and was an instant success before premiering on Broadway at the New Amsterdam Theater on October 15, 1997 in previews with the official opening on November 13, 1997. On June 13, 2006, the Broadway production moved to the Minskoff Theatre to make way for the musical version of Mary Poppins, where it is still running. It is now Broadway's ninth longest-running show in history.
The show debuted in the West End's Lyceum Theatre on October 19, 1999 and is still running. The cast of the West End production were invited to perform at the Royal Variety Performance 2008 at the London Palladium on December 11, in the presence of senior members of the British Royal Family.
The musical debuted July 8, 1997, in Minneapolis, Minnesota at the Orpheum Theatre, and was an instant success before premiering on Broadway at the New Amsterdam Theater on October 15, 1997 in previews with the official opening on November 13, 1997. On June 13, 2006, the Broadway production moved to the Minskoff Theatre to make way for the musical version of Mary Poppins, where it is still running. It is now Broadway's ninth longest-running show in history.
The show debuted in the West End's Lyceum Theatre on October 19, 1999 and is still running. The cast of the West End production were invited to perform at the Royal Variety Performance 2008 at the London Palladium on December 11, in the presence of senior members of the British Royal Family.
The Lion King
The Lion King is a 1994 American animated feature film produced by Walt Disney Feature Animation, released in theaters on June 15, 1994 by Walt Disney Pictures. It is the 32nd film in the Disney animated feature canon. The film was the highest grossing animated film of all time until the release of Finding Nemo (a Disney/Pixar computer-animated film). The Lion King still holds the record as the highest grossing traditionally animated film in history. This film also belongs to an era known as the Disney Renaissance.
The story, which was strongly influenced by the Shakespearean play Hamlet and Disney's 1942 classic Bambi, takes place in a kingdom of anthropomorphic animals in Africa. A musical film, The Lion King garnered two Academy Awards for its achievement in music. Songs were written by composer Elton John and lyricist Tim Rice, with an original score by Hans Zimmer. Disney later produced two related movies: a sequel, The Lion King II: Simba's Pride; and a part prequel-part parallel, The Lion King 1½.
The Lion King: Original Motion Picture Soundtrack is the original motion picture soundtrack for Walt Disney's The Lion King. The songs were written by Elton John and Tim Rice. The original score was composed and arranged by Hans Zimmer. The soundtrack was recorded in three different countries, namely: USA, UK and South Africa.
The story, which was strongly influenced by the Shakespearean play Hamlet and Disney's 1942 classic Bambi, takes place in a kingdom of anthropomorphic animals in Africa. A musical film, The Lion King garnered two Academy Awards for its achievement in music. Songs were written by composer Elton John and lyricist Tim Rice, with an original score by Hans Zimmer. Disney later produced two related movies: a sequel, The Lion King II: Simba's Pride; and a part prequel-part parallel, The Lion King 1½.
The Lion King: Original Motion Picture Soundtrack is the original motion picture soundtrack for Walt Disney's The Lion King. The songs were written by Elton John and Tim Rice. The original score was composed and arranged by Hans Zimmer. The soundtrack was recorded in three different countries, namely: USA, UK and South Africa.
Lady Gaga
Lady Gaga (born Stefani Joanne Angelina Germanotta on March 28, 1986) is an American recording artist. She began performing in the rock music scene of New York City's Lower East Side. She soon signed with Streamline Records, an imprint of Interscope Records, upon its establishment in 2007. During her early time at Interscope, she worked as a songwriter for fellow label artists and captured the attention of Akon, who recognized her vocal abilities, and had her also sign to his own label, Kon Live Distribution.
Her debut album, The Fame, was released on August 19, 2008. In addition to receiving generally positive reviews, it reached number-one in Canada, Austria, Germany, and Ireland and topped the Billboard Top Electronic Albums chart. Its first two singles, "Just Dance" and "Poker Face", co-written and co-produced with RedOne, became international number-one hits, topping the Hot 100 in the United States as well as other countries. The album later earned a total of six Grammy Award nominations and won awards for Best Electronic/Dance Album and Best Dance Recording. In early 2009, after having opened for New Kids on the Block and the Pussycat Dolls, she embarked on her first headlining tour, The Fame Ball Tour. By the fourth quarter of 2009, she released her second studio album The Fame Monster, with the global chart-topping lead single "Bad Romance", as well as having embarked on her second headlining tour of the year, The Monster Ball Tour.
Lady Gaga is inspired by glam rock musicians such as David Bowie and Freddie Mercury, as well as pop music artists such as Madonna and Michael Jackson. She has also stated fashion is a source of inspiration for her songwriting and performances. To date, she has sold over eight million albums and over thirty-five million singles worldwide.
Her debut album, The Fame, was released on August 19, 2008. In addition to receiving generally positive reviews, it reached number-one in Canada, Austria, Germany, and Ireland and topped the Billboard Top Electronic Albums chart. Its first two singles, "Just Dance" and "Poker Face", co-written and co-produced with RedOne, became international number-one hits, topping the Hot 100 in the United States as well as other countries. The album later earned a total of six Grammy Award nominations and won awards for Best Electronic/Dance Album and Best Dance Recording. In early 2009, after having opened for New Kids on the Block and the Pussycat Dolls, she embarked on her first headlining tour, The Fame Ball Tour. By the fourth quarter of 2009, she released her second studio album The Fame Monster, with the global chart-topping lead single "Bad Romance", as well as having embarked on her second headlining tour of the year, The Monster Ball Tour.
Lady Gaga is inspired by glam rock musicians such as David Bowie and Freddie Mercury, as well as pop music artists such as Madonna and Michael Jackson. She has also stated fashion is a source of inspiration for her songwriting and performances. To date, she has sold over eight million albums and over thirty-five million singles worldwide.
Beethoven
Ludwig van Beethoven (16 December 1770 - 26 March 1827) was a German composer and pianist. He was a crucial figure in the transitional period between the Classical and Romantic eras in Western classical music, and remains one of the most respected and influential composers of all time.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Born in Bonn, then in the Electorate of Cologne (now in modern-day Germany), he moved to Vienna in his early twenties and settled there, studying with Joseph Haydn and quickly gaining a reputation as a virtuoso pianist. Beethoven's hearing gradually deteriorated beginning in his twenties, yet he continued to compose masterpieces, and to conduct and perform, even after he was completely deaf.
Kabalevsky
Dmitry Borisovich Kabalevsky (Russian: Дми́трий Бори́сович Кабале́вский; December 30, 1904 – February 18, 1987) was a Russian Soviet composer.
Kabalevsky is regarded as one of the great modern composers of children's music. He helped to set up the Union of Soviet Composers in Moscow and remained one of its leading figures. He was also a prolific composer of piano music and chamber music, many of his piano works have been performed by the likes of Vladimir Horowitz, and are regarded as highly innovative, suffusing influences from jazz structure like that of the latter Nikolai Kapustin and symbolic minimalism along the lines of Alemdar Karamanov's Concerto No. 3 for piano and orchestra.
Kabalevsky is regarded as one of the great modern composers of children's music. He helped to set up the Union of Soviet Composers in Moscow and remained one of its leading figures. He was also a prolific composer of piano music and chamber music, many of his piano works have been performed by the likes of Vladimir Horowitz, and are regarded as highly innovative, suffusing influences from jazz structure like that of the latter Nikolai Kapustin and symbolic minimalism along the lines of Alemdar Karamanov's Concerto No. 3 for piano and orchestra.
Dvorak
Antonín Leopold Dvořák (September 8, 1841 – May 1, 1904) was a Czech composer of Romantic music, who employed the idioms and melodies of the folk music of his native Bohemia and Moravia. His works include operas, symphonic, choral and chamber music. His best-known works are his New World Symphony (particularly the slow movement), as well as his Slavonic Dances, American String Quartet, and Cello Concerto in B minor.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Dvořák wrote in a variety of forms: his nine symphonies generally stick to classical models that Beethoven would have recognised, but he also worked in the newly developed symphonic poem form and the influence of Richard Wagner is apparent in some works. Many of his works also show the influence of Czech folk music, both in terms of rhythms and melodic shapes; perhaps the best known examples are the two sets of Slavonic Dances. Dvořák also wrote operas (the best known of which is Rusalka); serenades for string orchestra and wind ensemble; chamber music (including a number of string quartets, and quintets); songs; choral music; and piano music.
Bach
Johann Sebastian Bach (31 March 1685 – 28 July 1750) was a German composer and organist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he introduced no new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation in composition for diverse musical forces, and the adaptation of rhythms and textures from abroad, particularly Italy and France.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Revered for their intellectual depth and technical and artistic beauty, Bach's works include the Brandenburg concertos; the Goldberg Variations; the English Suites, French Suites, Partitas, and Well-Tempered Clavier; the Mass in B Minor; the St. Matthew Passion; the St. John Passion; The Musical Offering; The Art of Fugue; the Sonatas and Partitas for violin solo; the Cello Suites; more than 200 surviving cantatas; and a similar number of organ works, including the celebrated Toccata and Fugue in D Minor.
While Bach's fame as an organist was great during his lifetime, he was not particularly well-known as a composer. His adherence to Baroque forms and contrapuntal style was considered "old-fashioned" by his contemporaries, especially late in his career when the musical fashion tended towards Rococo and later Classical styles. A revival of interest and performances of his music began early in the 19th century, and he is now widely considered to be one of the greatest composers in the Western tradition.
Tchaikovsky
Pyotr Il'yich Tchaikovsky (May 7 1840 â November 6 1893) was a Russian composer of the Romantic era. While not part of the nationalistic music group known as "The Five", Tchaikovsky wrote music which, in the opinion of Harold Schonberg, was distinctly Russian: plangent, introspective, with modally-inflected melody and harmony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Aesthetically, Tchaikovsky remained open to all aspects of Saint Petersburg musical life. He was impressed by Serov and Balakirev as well as the classical values upheld by the conservatory. Both the progressive and conservative camps in Russian music at the time attempted to win him over. Tchaikovsky charted his compositional course between these two factions, retaining his individuality as a composer as well as his Russian identity. In this he was influenced by the ideals of his teacher Nikolai Rubinstein and Nikolai's brother Anton.
Tchaikovsky's musical cosmopolitanism led him to be favored by many Russian music-lovers over the "Russian" harmonies and styles of Mussorgsky, Borodin and Rimsky-Korsakov.
Nonetheless he frequently adapted Russian traditional melodies and dance forms in his music, which enhanced his success in his home country. The success in St. Petersburg at the premiere of his Third Orchestral Suite may have been due in large part to his concluding the work with a polonaise. He also used a polonaise for the final movement of his Third Symphony.
Delibes
Clément Philibert Léo Delibes (21 February 1836 – 16 January 1891) was a French composer of ballets, operas, and other works for the stage.
Borodin
Alexander Porfiryevich Borodin (12 November 1833 – 27 February 1887) was a Russian Romantic composer and chemist of Georgian–Russian parentage. He was a member of the group of composers called The Five (or "The Mighty Handful"), who were dedicated to producing a specifically Russian kind of art music. He is best known for his symphonies, his two string quartets, and his opera Prince Igor. Music from Prince Igor and his string quartets was later adapted for the musical Kismet.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Nielsen
Carl August Nielsen (9 June 1865 – 3 October 1931), widely recognised as Denmark's greatest composer, was also a conductor and a violinist. Brought up by poor but musically talented parents on the island of Funen, he demonstrated his musical abilities at an early age. While it was some time before his works were fully appreciated, even in his home country, Nielsen has now firmly entered the international repertoire. Especially in Europe and the United States, Nielsen's music is ever more frequently performed, with interest growing in other countries too. Carl Nielsen is especially admired for his six symphonies, his Wind Quintet and his concertos for violin, flute and clarinet. In Denmark, his opera Maskarade and a considerable number of his songs have become an integral part of the national heritage. While his early music was inspired by composers such as Brahms and Grieg, he soon started to develop his own style, first experimenting with progressive tonality and later diverging even more radically from the standards of composition still common at the time. For many years, he appeared on the Danish hundred-kroner banknote.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Nielsen is best known for his six symphonies. Other well-known pieces are the incidental music for Adam Oehlenschläger's drama Aladdin, the operas Saul og David and Maskarade, the three concertos for violin, flute and clarinet, the Wind Quintet, and the Helios Overture, which depicts the passage of the sun in the sky from dawn to nightfall. Most Danes can sing many of the numerous songs by various poets, set to music by Carl Nielsen.
The music initially had a neo-classical sound but became increasingly modern as Nielsen developed his own approach to what Robert Simpson called progressive tonality, moving from one key to another. Typically, he would end on a different key, sometimes as the outcome of a struggle as in his symphonies. His frequently blended melodic passages inspired by folk music with more complicated stylings including counterpoint and modern variations.
Like his contemporary, the Finn Jean Sibelius, he studied Renaissance polyphony closely, which accounts for much of the melodic and harmonic "feel" of his music.
Wagner
Wilhelm Richard Wagner (22 May 1813, Leipzig, Germany - 13 February 1883, Venice, Italy) was a German composer, conductor, theatre director and essayist, primarily known for his operas (or "music dramas", as they were later called). Unlike most other great opera composers, Wagner wrote both the scenario and libretto for his works.
Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.
He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
Wagner's musical style is often considered the epitome of classical music's Romantic period, due to its unprecedented exploration of emotional expression. He introduced new ideas in harmony and musical form, including extreme chromaticism. In Tristan und Isolde, he explored the limits of the traditional tonal system that gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, the so-called Tristan chord.
Wagner's compositions, particularly those of his later period, are notable for contrapuntal texture, rich chromaticism, harmonies and orchestration, and elaborate use of leitmotifs: musical themes associated with particular characters, locales or plot elements. Wagner pioneered advances in musical language, such as extreme chromaticism and quickly shifting tonal centres, which greatly influenced the development of European classical music.
He transformed musical thought through his idea of Gesamtkunstwerk ("total artwork"), the synthesis of all the poetic, visual, musical and dramatic arts, epitomized by his monumental four-opera cycle Der Ring des Nibelungen (1876). To try to stage these works as he imagined them, Wagner built his own opera house.
Wagner's musical style is often considered the epitome of classical music's Romantic period, due to its unprecedented exploration of emotional expression. He introduced new ideas in harmony and musical form, including extreme chromaticism. In Tristan und Isolde, he explored the limits of the traditional tonal system that gave keys and chords their identity, pointing the way to atonality in the 20th century. Some music historians date the beginning of modern classical music to the first notes of Tristan, the so-called Tristan chord.
Badarzewska
Tekla Bądarzewska-Baranowska was a Polish composer. Bądarzewska was born in 1829 in Mława or 1834 in Warsaw. She married Jan Baranowski and they had five children in their nine years of marriage. Bądarzewska-Baranowska died on 29 September 1861 in Warsaw
Debussy
Achille-Claude Debussy (August 22, 1862 – March 25, 1918) was a French composer. Along with Maurice Ravel, he is considered one of the most prominent figures working within the field of Impressionist music, though he himself intensely disliked the term when applied to his compositions. Debussy was not only among the most important of all French composers but also was a central figure in all European music at the turn of the twentieth century.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.
Debussy's music virtually defines the transition from late-Romantic music to twentieth century modernist music. In French literary circles, the style of this period was known as Symbolism, a movement that directly inspired Debussy both as a composer and as an active cultural participant.