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L. V. Beethoven
J. S. Bach
Johann Sebastian Bach (21 March 1685, O.S.31 March 1685, N.S. – 28 July 1750, N.S.) was a German composer, organist, harpsichordist, violist, and violinist whose sacred and secular works for choir, orchestra, and solo instruments drew together the strands of the Baroque period and brought it to its ultimate maturity. Although he did not introduce new forms, he enriched the prevailing German style with a robust contrapuntal technique, an unrivalled control of harmonic and motivic organisation, and the adaptation of rhythms, forms and textures from abroad, particularly from Italy and France.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
Revered for their intellectual depth, technical command and artistic beauty, Bach's works include the Brandenburg Concertos, the Goldberg Variations, the Partitas, The Well-Tempered Clavier, the Mass in B minor, the St Matthew Passion, the St John Passion, the Magnificat, A Musical Offering, The Art of Fugue, the English and French Suites, the Sonatas and Partitas for solo violin, the Cello Suites, more than 200 surviving cantatas, and a similar number of organ works, including the famous Toccata and Fugue in D minor and Passacaglia and Fugue in C minor, as well as the Great Eighteen Chorale Preludes and Organ Mass.
Bach's abilities as an organist were highly respected throughout Europe during his lifetime, although he was not widely recognised as a great composer until a revival of interest and performances of his music in the first half of the 19th century. He is now generally regarded as one of the main composers of the Baroque style, and as one of the greatest composers of all time.
F. Schubert
G. Verdi
J. L. Dussek
Anonymous
Easy piano sheets to teach kids how to play piano.
Linkin Park
Linkin Park is an American rock band from Agoura Hills, California. Since their formation in 1996, the band has sold more than 50 million albums and won two Grammy Awards. They achieved mainstream success with their debut album, Hybrid Theory, which was certified Diamond by the RIAA in 2005. Their following studio album, Meteora, continued the band's success, topping the Billboard 200’s album charts in 2003, and was followed by extensive touring and charity work around the world.
Recognized for their adaptation of the nu metal and rap rock genre into a radio-friendly yet densely-layered style in Hybrid Theory and Meteora, the band moved away from this and explored a variety of other genres in their latest studio album, Minutes to Midnight. The album topped the Billboard charts and had the third best debut week of any album that year. They are also known for their several collaborations, most notably with rapper Jay-Z in their mash-up album Collision Course, and many other artists on Reanimation.
Recognized for their adaptation of the nu metal and rap rock genre into a radio-friendly yet densely-layered style in Hybrid Theory and Meteora, the band moved away from this and explored a variety of other genres in their latest studio album, Minutes to Midnight. The album topped the Billboard charts and had the third best debut week of any album that year. They are also known for their several collaborations, most notably with rapper Jay-Z in their mash-up album Collision Course, and many other artists on Reanimation.
Christina Aguilera
Christina María Aguilera (born December 18, 1980) is an American R&B/pop singer and songwriter. She was signed to RCA Records after recording "Reflection" A Latin pop album, Mi Reflejo, and several collaborations followed which garnered Aguilera worldwide success, but she was displeased with the lack of input in her music and image.
After parting from her management, Aguilera took creative control over her second studio album Stripped (2002), Aguilera's third studio album Back to Basics (2006), included elements of soul, jazz, and blues music, and was released to positive critical reception.
Aguilera is currently in the studio working on her forthcoming album. Aguilera's work has earned her numerous awards including five Grammy Awards amongst eighteen nominations. She has become one of the most successful recording artists of the decade, racking up sales of more than 37 million albums worldwide.
After parting from her management, Aguilera took creative control over her second studio album Stripped (2002), Aguilera's third studio album Back to Basics (2006), included elements of soul, jazz, and blues music, and was released to positive critical reception.
Aguilera is currently in the studio working on her forthcoming album. Aguilera's work has earned her numerous awards including five Grammy Awards amongst eighteen nominations. She has become one of the most successful recording artists of the decade, racking up sales of more than 37 million albums worldwide.
Toto
Toto was a Grammy Award winning American rock band founded in 1977 by some of the most popular and experienced session musicians of the era. The band enjoyed great commercial success in the 1980s, beginning with the band's self-titled debut, released in 1978, which immediately brought the band into the mainstream rock spectrum of the time. Continuing with 1982's critically acclaimed and commercially successful Toto IV, Toto became one of the biggest selling music groups of their era. They also composed the theme music for the film Dune. Although their popularity in the United States diminished in the 1990s and 2000s, they continued to tour to sold out arenas, clubs, and theaters internationally. Toto was known for their technical prowess in the studio, as well as a musical style that combines elements of pop, rock, soul, funk, progressive rock, hard rock, R&B, and jazz, making them appeal to a variety of musicians and non-musician listeners. The band has released 17 albums and has sold over 30 million records to date. Their 18th release Falling In Between Live, was released in August 2007. It had been recorded in March 2007 in Paris. As a result of guitarist Steve Lukather's departure from the band, Toto broke up after the last leg of their 2008 tour.
Gabriel Faure
Gabriel Urbain Fauré (12 May 1845 – 4 November 1924) was a French composer, organist, pianist, and teacher. He was the foremost French composer of his generation, and his musical style influenced many 20th century composers. His harmonic and melodic language affected how harmony was later taught.
Chopin
Frédéric Chopin (1 March 1810 – 17 October 1849) was a Polish composer and virtuoso pianist of the Romantic period. He is widely regarded as the greatest Polish composer, and ranks as one of music's greatest tone poets.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
He was born in the village of Żelazowa Wola, in the Duchy of Warsaw, to a Polish mother and French-expatriate father, and in his early life was regarded as a child-prodigy pianist. In November 1830, at the age of 20, Chopin went abroad; following the suppression of the Polish November Uprising of 1830–31, he became one of many expatriates of the Polish "Great Emigration."
In Paris, he made a comfortable living as a composer and piano teacher, while giving few public performances. A Polish patriot,
Chopin's extant compositions were written primarily for the piano as a solo instrument. Though technically demanding, Chopin's style emphasizes nuance and expressive depth rather than virtuosity. Chopin invented musical forms such as the ballade and was responsible for major innovations in forms such as the piano sonata, waltz, nocturne, étude, impromptu and prelude. His works are mainstays of Romanticism in 19th-century classical music.
Rachmaninoff
Sergei Vasilievich Rachmaninoff (1 April 1873 - 28 March 1943) was a Russian composer, pianist, and conductor. He was one of the finest pianists of his day and, as a composer, the last great representative of Russian late Romanticism in classical music. Early influences of Tchaikovsky, Rimsky-Korsakov and other Russian composers gave way to a thoroughly personal idiom which included a pronounced lyricism, expressive breadth, structural ingenuity and a tonal palette of rich, distinctive orchestral colors.
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Understandably, the piano figures prominently in Rachmaninoff's compositional output, either as a solo instrument or as part of an ensemble. He made it a point, however, to use his own skills as a performer to explore fully the expressive possibilities of the instrument. Even in his earliest works, he revealed a sure grasp of idiomatic piano writing and a striking gift for melody. In some of his early orchestral pieces he showed the first signs of a talent for tone painting, which he would perfect in The Isle of the Dead, and he began to show a similar penchant for vocal writing in two early sets of songs, Opp. 4 and 8. Rachmaninoff's masterpiece, however, is his choral symphony The Bells, in which all of his talents are fused and unified.
Rachmaninoff sometimes felt threatened by the success of modernists such as Scriabin and Prokofiev and wondered whether to cease composing even before he left Russia. His musical philosophy was rooted in the Russian spiritual tradition, where the role of the artist was to create beauty and to speak the truth from the depths of his heart. In his last major interview, in 1941, he admitted his music, like Russian music, was a product of his temperament. He said, on another occasion, "The new kind of music seems to create not from the heart but from the head. Its composers think rather than feel. They have not the capacity to make their works exalt—they meditate, protest, analyze, reason, calculate and brood, but they do not exalt."
Bela Bartok
Béla Viktor János Bartók (pronounced /ˈbɑrtɒk/ (Wells 1990), Hungarian pronunciation: ) (March 25, 1881 – September 26, 1945) was a Hungarian composer and pianist. He is considered to be one of the greatest composers of the 20th century and is regarded, along with Liszt, as his country's greatest composer (Gillies 2001). Through his collection and analytical study of folk music, he was one of the founders of ethnomusicology.
Elfen Lied
Elfen Lied (エルフェンリート Erufen Rīto?) is a Japanese manga series created by manga author Lynn Okamoto. A thirteen-episode anime television series adaptation based on the manga was produced by the studio ARMS and broadcast on TV Tokyo from July to October 2004; the anime was later licensed in North America on DVD by ADV Films. The anime started before the manga was complete; as a result, the plot differed between the two, especially towards the ending of the story. In 2005, a special original video animation, written to occur between the tenth and eleventh episodes of the series, was released. The title is German for "Elf Song" and takes its name from the poem "Elfenlied".
Elfen Lied revolves around the interactions, views, emotions, and differences between humans and the Diclonius, a mutant species similar to humans in build but distinguishable by two horns on their head and "vectors", transparent telekinetically controlled arms that have the power to manipulate and cut objects within their reach. The series is centered on the teenage Diclonius girl "Lucy" who was rejected by humans and subsequently wants revenge.
Elfen Lied involves themes of social alienation, identity, prejudice, revenge, abuse, jealousy, regret and the value of humanity. The series employs graphic violence. So far, only the thirteen-episode anime series has been licensed in the United States, by ADV Films and in Australia, by Madman Entertainment. ADV Films said the series was one of their bestselling and "most notorious" releases of 2005.
Elfen Lied revolves around the interactions, views, emotions, and differences between humans and the Diclonius, a mutant species similar to humans in build but distinguishable by two horns on their head and "vectors", transparent telekinetically controlled arms that have the power to manipulate and cut objects within their reach. The series is centered on the teenage Diclonius girl "Lucy" who was rejected by humans and subsequently wants revenge.
Elfen Lied involves themes of social alienation, identity, prejudice, revenge, abuse, jealousy, regret and the value of humanity. The series employs graphic violence. So far, only the thirteen-episode anime series has been licensed in the United States, by ADV Films and in Australia, by Madman Entertainment. ADV Films said the series was one of their bestselling and "most notorious" releases of 2005.
Enrique Granados
Enrique Granados y Campiña (27 July 1867 – 24 March 1916) was a Spanish Catalan pianist and composer of classical music. His music is in a uniquely Spanish style and, as such, representative of musical nationalism. Enrique Granados was also a talented painter in the style of Francisco Goya.
Granados wrote piano music, chamber music (a piano quintet, a piano trio, music for violin and piano), songs, zarzuelas, and an orchestral tone poem based on Dante's Divine Comedy. Many of his piano compositions have been transcribed for the classical guitar: examples include Dedicatoria, Danza No. 5, Goyescas.
Granados was an important influence on at least two other important Spanish composers and musicians, Manuel de Falla and Pablo Casals. He was also the teacher of composer Rosa García Ascot.
Granados wrote piano music, chamber music (a piano quintet, a piano trio, music for violin and piano), songs, zarzuelas, and an orchestral tone poem based on Dante's Divine Comedy. Many of his piano compositions have been transcribed for the classical guitar: examples include Dedicatoria, Danza No. 5, Goyescas.
Granados was an important influence on at least two other important Spanish composers and musicians, Manuel de Falla and Pablo Casals. He was also the teacher of composer Rosa García Ascot.
Digimon
Digimon (デジモン Dejimon?), short for "Digital Monsters" (デジタルモンスター Dejitaru Monsutā?), is a Japanese media franchise encompassing anime, manga, toys, video games, trading card games and other media. The franchise's eponymous creatures are monsters of various forms living in a "Digital World", a parallel universe that originated from Earth's various communication networks.
Tenmon
Tenmon (天門), born Atsushi Shirakawa (白川 篤史, Shirakawa Atsushi), is a Japanese music composer from Tokyo, Japan born October 4, 1971. He worked in the Nihon Falcom Corporation as one of the members of Falcom Sound Team J.D.K.. During his time with Falcom, he has composed much music for Falcom games, most notably Brandish.
Having known Makoto Shinkai as a coworker in Minori he has composed music for Shinkai's works since She and Her Cat. He is perhaps best known for creating the soundtracks for Shinkai's subsequent works, Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters Per Second and his final Shinkai collaboration being Children Who Chase Lost Voices from Deep Below.
Having known Makoto Shinkai as a coworker in Minori he has composed music for Shinkai's works since She and Her Cat. He is perhaps best known for creating the soundtracks for Shinkai's subsequent works, Voices of a Distant Star, The Place Promised in Our Early Days, 5 Centimeters Per Second and his final Shinkai collaboration being Children Who Chase Lost Voices from Deep Below.
Cy Coleman
Cy Coleman (June 14, 1929 - November 18, 2004) was an American composer, songwriter, and jazz pianist.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball. The score included the hit tune "Hey Look Me Over" (which was later adapted into one of LSU's school songs, "Hey, Fightin' Tigers"). When Ball became ill she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel by Patrick Dennis (Auntie Mame). The show introduced Real Live Girl and I've Got Your Number, which became popular standards.
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered, "Thank God somebody asked". Fields was revitalised by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs If My Friends Could See Me Now, I'm a Brass Band and Hey, Big Spender. The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour. Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On The Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close. Later in the decade, he collaborated on Welcome to the Club (1988) with A.E. Hotchner, and City of Angels (1989) with David Zippel. In the latter, inspired by the hard-boiled detective film noir of the 1930s and '40s, he returned to his jazz roots, and the show was a huge critical and commercial success.
Coleman's career as a Broadway composer began when he and Leigh collaborated on Wildcat (1960), which marked the Broadway debut of comedienne Lucille Ball. The score included the hit tune "Hey Look Me Over" (which was later adapted into one of LSU's school songs, "Hey, Fightin' Tigers"). When Ball became ill she left the show, and it closed. Next for the two was Little Me, with a book by Neil Simon based on the novel by Patrick Dennis (Auntie Mame). The show introduced Real Live Girl and I've Got Your Number, which became popular standards.
In 1964, Coleman met Dorothy Fields at a party, and when he asked if she would like to collaborate with him, she is reported to have answered, "Thank God somebody asked". Fields was revitalised by working with the much younger Coleman, and by the contemporary nature of their first project, which was Sweet Charity, again with a book by Simon, starring Gwen Verdon, and introducing the songs If My Friends Could See Me Now, I'm a Brass Band and Hey, Big Spender. The show was a major success and Coleman found working with Fields much easier than with Leigh. The partnership was to work on two more shows – an aborted project about Eleanor Roosevelt, and Seesaw which reached Broadway in 1973 after a troubled out-of-town tour. Despite mixed reviews, the show enjoyed a healthy run. The partnership was cut short by Fields' death in 1974.
Coleman remained prolific in the late 1970s. He collaborated on I Love My Wife (1977) with Michael Stewart, On The Twentieth Century (1978) with Betty Comden and Adolph Green, and Home Again, Home Again with Barbara Fried, although the latter never reached Broadway.
In 1980, Coleman served as producer and composer for the circus-themed Barnum, which co-starred Jim Dale and Glenn Close. Later in the decade, he collaborated on Welcome to the Club (1988) with A.E. Hotchner, and City of Angels (1989) with David Zippel. In the latter, inspired by the hard-boiled detective film noir of the 1930s and '40s, he returned to his jazz roots, and the show was a huge critical and commercial success.
Seweryn Krajewski
Seweryn Krajewski (born January 3, 1947 in Nowa Sól, Poland) is a Polish singer and songwriter who rose to fame in the 1960s and 70s with the popular Polish band Czerwone Gitary. After leaving the group in 1997, he recorded several solo albums.
He has written songs for many popular Polish singers including Irena Jarocka, Maryla Rodowicz, Urszula Sipińska, Zdzisława Sośnicka, Edyta Geppert and many others.
He has written songs for many popular Polish singers including Irena Jarocka, Maryla Rodowicz, Urszula Sipińska, Zdzisława Sośnicka, Edyta Geppert and many others.